![]() ![]() The selected heroines sacrifice worldly pleasure for the sake of maintaining their domestic role as wives and mothers and to enhance their individuality and self-respect. Therefore, female characters in Ibsen and Shaw's drama are vital in reforming society, educating the successive generation and shielding marital life. Mutually, they mock and obscure the presumable reckless patriarchal deeds of the heroes in order to enhance their feminist argument. Thus, many liberalists foreshowed the essential role of women in renovating society through the employment of strong, independent, and reasonable female characters. The feminist perspectives are given in the selected plays associated with feminist stream appropriate with women’s awareness of their rights at the end of the nineteenth century. Women's conventionally treated prior to the mid-twentieth century as s second-class citizens patronized and approved by the dominated male atmosphere. Moreover, the effect of the misunderstanding and hollowness in the domestic sphere of Victorian society is investigated. ![]() They foreshadowed the profound development of their heroines' task for freedom as mentioned in the modern and contemporary feminist philosophy. George Bernard Shaw’s Candida and Henrick Ibsen’s A Doll House are discussed in light of feminist reading. In this paper, a domestic relationship and a didactic way of self-recognition explore as a secret recipe for a cooperative and successful life. ![]()
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